Synopsis
SWINDLE is a story of Big Oil set against the drama of Timor-Leste’s liberation and its aftermath. Fossil fuel corporations and their Australian government partners steal billions from the poorest nation in SE Asia but a spy turned whistleblower exposes them. A secret trial is planned to punish the spy and his lawyer. The government’s case is thin, based on distortions of history that don’t hold up to scrutiny. SWINDLE looks behind the recent Witness K/Bernard Collaery prosecutions in Canberra to discover the massive theft of Timor-Leste’s major resource and the lies, cover-ups and human rights abuse that accompanied it.
Story
SWINDLE is the story of East Timor seen through the lens of Australia’s sinister role in its fate. Since World War 2 Australia has betrayed our tiny neighbour with broken promises and appeasement of their rapacious neighbour Indonesia who invaded them and implemented a genocide second only to the Holocaust. Australia’s proud record of rescuing East Timor from being swallowed a 2nd time by Indonesia in late 1999 is, upon closer inspection, more like a desperate attempt to rescue our American alliance. Sending spies to bug East Timor’s oil and gas talks in 2004 is consistent with these previous crimes. Punishment of the whistle blowers who reveal the spying – “Witness K” (the spy) and his lawyer Bernard Collaery is the primary story of the film. Informed by these historic betrayals they seek justice for the stolen birthright of the Timorese people. SWINDLE sweeps the audience along with emotion, irony, humour and veracity leaving no time to ponder the storytelling method, yet allowing the audience in …to participate rather than spectate. To feel rather than know. Facts are delivered in as few words as possible via text or narration. Our interviewees reveal intimate information about what drives them, their disgust at these betrayals gleaned from their inside knowledge. Sub-text is just as important in helping understand facts. When (Prof) Clinton Fernandes says, “the rules of international diplomacy are like the rules between mafia families. The United States is the biggest Godfather on the block” we know more about where Australia stands than any long dissertation could give us. When journalist Max Stahl says, “Some of these Timorese have a kind of moral courage which I believe is the greatest asset that Timor has for the future. More than oil, or gas or anything else”…you know what he means and you know Australia doesn’t have it. SWINDLE interweaves stories of invasion, suffering, liberation and espionage seemingly without concern for any larger meaning. Only by the end do we understand why each is important. Emotion governs the order of these stories building to a climax that takes us by surprise even if we know the outcome. Surprise and shock demonstrate esoteric ideas such as the immunity afforded our intelligence services. Collaery’s surprise is palpable when his home and office are raided by ASIO, all his files stolen and his future at law virtually over in one afternoon. What can you do when a vengeful deep state is out to get you? SWINDLE doesn’t look for concrete answers even though by the end we know who is to blame. Conclusions about Australia’s behaviour are best left to Q&A sessions and other commentators. The director’s vision is to leave the audience disturbed and, like Witness K, unable to sleep because SWINDLE reveals a bumbling Kafkaesque malevolence that stalks the halls of power.
Production Stage
- Development
- Production
- Post-production
- Completed
- Outreach
DURATION: 90 MINUTES
Issue area
HUMAN RIGHTS & SOCIAL JUSTICE
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