Waiting Room

Amy Parry is a writer, producer & director with a 15-year career in theatre, screen, & digital media. Recent credits include EP on ABC’s “A League Of Her Own”, EP on Audible’s “Beyond Strange Lands” & “Winding Road,” and dir/writer/producer on AACTA-nominated short “Cult Following.” Amy is the showrunner/director of YouTube kids puppet group “Rainbow Bop,” with 1mil+ views. With experience at Screen Queensland & partners such as SBS, Madman, Wattpad Studios, Wildbear & more, Amy brings diverse expertise to her work. She has also directed music videos & is set to release a feature documentary in 2023.

Danielle Redford is a creative producer who’s also worked in the Australian distribution industry since 2011. In 2020, Danielle was named a Screen Producers Association of Australia Ones To Watch.

Current projects in the audio landscape include Audible Original Podcast Winding Road, starring Dacre Montgomery, Yael Stone, Noni Hazlehurst, David Berry and Bernard Fanning (Loveology Films and Broken Head Productions, 2020); Audible Original Podcast Beyond Strange Lands (Loveology Films, 2020); Audible Original Podcast The Orchard (Princess Pictures, 2021) and Audible Original Podcast Wentworth: The Fall Girl (Fremantle Media, 2021).

Screen projects include My Body Says (Mama Bear Productions, 2020), a digital documentary series for ABC and ABC iView which Danielle co-produced, The Lead (Broken Head Productions and Loveology Films) which received development investment from Stan and Screen Queensland, Pathological (Broken Head Productions and Loveology Films) which received development investment via the Bradford Winters Series Lab with Screen Queensland, short film Liquid Moonlight (Loveology Films, 2020) which premiered at Flickerfest 2021, episodic long-form project Immaculate, shortlisted for the Screen Queensland/Stan Premium Development Fund in 2020, with further development underway across episodic long-form dramas.

Short films include The Neon King (2016 Cannes Film Festival Short Film Corner, Byron Bay Film Festival Young Filmmaker winner) and And The Winner Is (Screamfest 2018, an SQ Original), as well as virtual production project Decommissioned (Perception Pictures, 2021) supported by Epic Games and Screen Queensland.

Danielle’s work under Loveology Films sees her partnering with Australian filmmakers to create global distribution opportunities, as well as developing a slate of projects across short-form and long-form screen and audio formats. She lectures in the areas of Creative Producing, Screen Producing and Screen Distribution at the Griffith Film School, from which she holds a Master of Screen Production and a Bachelor of Film and Screen Media.