In 1919 hundreds of thousands of Allied soldiers are marooned in Europe and sport plays a key role in maintaining a delicate peace. During an uneasy peace, the war weary Anzacs need to be themselves occupied and kept busy until they can be demobilised and shipped home. Sport is one of the solutions put forward to keep the peace. In rowing, a handful of Australian heroes and not-such-heroes take their place in the epic 1919 Royal Henley Peace Regatta. These men are damaged, disillusioned and displaced by war. After a gruelling selection process, they will need to dispose of their god-like coach, cope with their physical and psychological injuries and learn to work together, before the Australians win the coveted King’s Cup in front of tens of thousands of spectators. This is a story about rehabilitation, repatriation, resilience and rowing.
Scott started his career with iconic Australian TVC film company, Ross Wood Productions where he began a career in editing. Scott branched out as a director and found success with his first short film, “Lessons in the Language of Love” which was officially selected to screen in Un Certain Regard of the Cannes International Film Festival, 1995. This short screened in over fifty international and local film festivals. His next short film, Pact, was funded by the Australian Film Commission and was selected for the Venice Film Festival. Scott directed his first feature film, “A Wreck, A Tangle” and later another feature film, “The Crop”. Scott has also directed television drama for popular TV series such as “All Saints” and “Stingers”. In 2004, Scott completed his Master of Arts Degree (Media Arts & Production) at UTS. In 2006, he directed the theatrical production of the First World War play, “To The Green Fields Beyond” by Nick Whitby at the Old Fitzroy Theatre, Sydney to good reviews and was invited to re-stage the production as part of the Best of Independent Theatre Festival (BITE) at the Seymour Centre, Sydney and Riverside Theatre, Parramatta.
In 2019, Scott wrote and had published a non-fiction book, The Oarsmen (Hardie Grant Publishers) at the same time as filming and editing the feature length documentary version, The Oarsmen.