Synopsis
Feature documentary In Focus traces the story of award-winning Hazara photographer, Barat Ali Batoor, from Afghanistan to Indonesia where he boards a rickety fishing boat. For the first time ever captured on film, Batoor documents his own perilous journey on the open sea as attempts to seek refuge in Australia. After a death-defying shipwreck and escape from an Indonesian detention centre, Batoor finally finds safety, love and fatherhood in Australia. Haunted by the memories and thousands of young men, like him, still stuck in Indonesia, Batoor returns with camera in hand.
Director
Barat Ali Batoor
Story
Told in first person, the feature documentary In Focus traces Batoor from Afghanistan to Indonesia where he boards a rickety fishing boat. For the first time ever captured on film, Batoor documents his own perilous journey on the open sea as attempts to seek refuge in Australia. After a death-defying shipwreck and escape from an Indonesian detention centre, Batoor finally finds safety, love and fatherhood in Australia. Haunted by the memories and thousands of young men, like him, still stuck in Indonesia, Batoor returns with camera in hand.
Character driven and emotionally charged, the film intertwines two parallel stories: Batoor’s personal odyssey from the past as a refugee making his way to Australia, featuring video and his award-winning photographs between 2011-2013. This will be intercut with a present day journey, yet to be filmed, where Batoor traces his original travels, with camera in hand, and meets up with former and fellow asylum seekers who never made it. People still waiting for refuge, living in a stateless limbo. To better show these two ’sliding door’ narratives at play, they are presented in the script below as black for the contemporary story and and teal for the historical one.
Batoor now has Australian citizenship, and with it, the safety to return to the places on his journey in search of safety. He has been commissioned to do a beautiful coffee table book which contrasts stills from his journey with stills today, a commentary on how we, the audience, are collectively dealing with one of the biggest challenges of our time: migration.
The photos are used as a device to transport the audience between these two worlds, the stark contrast between polished focus and reality. In the style of FOR SAMA and 28 DAYS IN MARIUPOL we contrast his masterful still images with his raw footage on his dangerous journey. We are honest with the audience how the footage has been captured. We, the audience, see him becoming more masterful as he captures the moving image, shot on iphone, on handycam, preserved through backups, in air-lock bags, somehow unfound despite strip-searches. It is incredible that this footage exists.
Production Stage
- Development
- Production
- Post-production
- Completed
- Outreach
DURATION: 90 MINUTES
Issue area
HUMAN RIGHTS & SOCIAL JUSTICE
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