The doorway to death is the last great frontier in a human life. We know intellectually our time will end, and yet, in the Western world at least we often act as if death is a mirage, disappearing the closer we move towards it. Two doctors in Melbourne have engaged psilocybin to help ease the anguish of patients at end of life, and the results they have seen are remarkable. But this visioning tool, like other plant medicines, is not new, it comes from ancient traditions that are now being funneled into Western medicine. It is possible the world’s oldest cultures have something important to teach us, not just about traditional medicines but about one of the most essential aspects of human life, its end?
Two-time Emmy® award-winning Australian artist/filmmaker Lynette Wallworth is renowned for creating profoundly empathetic works while pushing the boundaries of emerging technologies. She has received multiple awards for her work including her DOMIE Award-winning full-dome feature Coral, the AACTA Award-winning documentary Tender, the Emmy® Award-winning virtual reality narrative Collisions and XR work Awavena which premiered at Sundance Film Festival, was in competition at the Venice Film Festival 2018 and in 2020 garnered Lynette her 2nd Emmy® Award for Outstanding New Approaches in Documentary. Wallworth has been awarded a UNESCO City of Film Award, the Byron Kennedy Award for Innovation and Excellence, and in 2016 was named by Foreign Policy magazine as one of the year’s 100 Leading Global Thinkers. She sits on the World Economic Forum’s Metaverse Governance Community, on Sundance’s Technology Committee and is the only Australian ever to sit on the board of the Sundance Institute.