Crones explores societal limitations imposed by ageism, including those that are internalized, through the lens of 3 characters – An ensemble of a Bollywood Seniors Dance Class, an Amateur Dance Student in her 70’s and a Cabaret Performer in her 60’s.
The ensemble of the Bollywood Seniors dance class considers the idea of the Crone – a concept that has been distorted over time but which symbolizes the wise woman. The vibrant world of Bollywood serves as the backdrop to conversations about ageing, embracing fear & the uplifting power of community. These women embody joy & courage, challenging society’s perceptions of older women.
Our 2nd character, Karin Kuusk, 72, fulfils her childhood dream of visiting the Taj Mahal in India. She is a member of the Bollywood dance class, and inspired by a renewed sense of community, she regains her health and mojo back in her 70’s. This film documents her reaching the Taj Mahal, following her journey for 2 years.
Kuusk’s literal Taj Mahal becomes a metaphor for our 3rd character, Natalie Gamsu, to discover her own personal Taj Mahal. Gamsu, an actor and cabaret singer, struggles to find work in her 60’s. At the start of the film, she is emotionally broken, questioning whether her career is over. Kuusk’s passion for her dream acts as a catalyst and inspires Gamsu to fight for her own dreams. Defiantly, she stages a one-woman show, pushing back against ageism in the theatre world. This film documents her journey through the development and performance of her show and through her own reckoning with her identity and value.
These 3 stories are intertwined through juxtaposition & voice overs by the director, Joshinder Chaggar. Chaggar has picked up a camera for the 1st time in her 40’s. Watching the crones in her life push forward has inspired her to make her own dream of making a film come true.
I am currently finishing a PhD doctorate at Deakin University, where my research intersects my intercultural identity with dance and story-telling. I have worked in the dance and theatre industry for the past 17 years. In 2024, my solo dance theatre show, entitled – Dancing in Infinite Worlds, won Best Dance & Physical Theatre at Melbourne Fringe. I am also the recipient of a collaborative Green Room award for – TakeBack! – Best variety show 2022. I am now transferring these passions and experience of writing, production and direction into films. My first film as director, More Than Cute, won Best Short Documentary at the Reel Sisters of the Diaspora 2022 Film Festival (New York), and was an official selection at film festivals in Melbourne (Melbourne documentary film festival, Melbourne Women in Film Festival), London, Mumbai, Karachi, Lahore & Islamabad. It unpacks age and highlights how dance can help form communities.