As the sun sets over suburban Melbourne, Hazara photojournalist and refugee Barat Ali Batoor watches his children play before beginning a long sleepless night revisiting the archive he has avoided for years: haunting footage of asylum seekers waiting in limbo, behind-the-scenes television interviews, photographs that brought him international recognition, and the terrifying boat journey helmed by people smugglers that almost killed him. As his family sleeps to the sounds of his blind mother softly singing, Batoor searches through the material trying to decide what belongs in a new film about his life — and what version of the story feels true. Moving between quiet domestic observation and fragments of a past that refuses to settle, the film unfolds across a single night, ending at sunrise as the household slowly wakes. The documentary is an intimate portrait of survival, memory, displacement and the endless human condition of waiting.
Kasimir Burgess is an award-winning Australian filmmaker whose work spans drama and documentary, marked by a poetic visual style and an intimate engagement with landscape, character, and the fragile intersections between humans and the natural world. His AACTA- and Walkley-nominated documentary FRANKLIN, chronicling the landmark environmental battle to save Tasmania’s Franklin River and his latest award winning feature doc IRON WINTER, affirm his reputation for crafting politically resonant, cinematic non-fiction.
Walkley Award Winning Hazara photojournalist Barat Ali Batoor first won international acclaim in 2011 for his powerful photo essay exposing one of his country’s darkest secrets. But his work made him a target and Batoor was forced to flee along an asylum seeker route taken by thousands before him. Shot and produced entirely by Batoor, this documentary is a moving insight into the work of photographers committed to bringing audiences the truth.