Axis of Impersonators

At its heart, this story portrays the human collateral damage of displacement caused by global conflict. It’s a modern Australian narrative reflecting the nation’s multiculturalism and its history of welcoming migrants seeking a new life. The lead character, Umid (Zelensky impersonator), mirrors countless people who leave their homeland for better opportunities, only to be forced to resettle due to war. Similarly, Howard (Kim Jong Un impersonator) fled a fascist regime in China with his family and credits his Australian upbringing for shaping his worldview. His experience inspires him to use his impersonation skills to challenge political oppression. The project is led by a diverse team, including female director Alexis Spraic (currently completing the Australian immigration process) and the female-led production company Princess Pictures, led by Laura Waters and Emma Fitzsimons, where women hold key leadership positions.

Our project addresses the urgent and timely issues of forced migration, displacement, and the precariousness faced by migrants and refugees worldwide. Through Umid’s surreal and often absurd journey—from migrant worker to viral impersonator to refugee—the story highlights how ordinary individuals can be swept up by geopolitical forces beyond their control. In today’s increasingly unstable political climate, where democratic values are under threat and authoritarianism is on the rise, Umid’s story also serves as a reflection on the fragility of democracy itself. The use of humor and satire allows us to explore how media spectacle, misinformation, and political theater can obscure the real human costs of conflict. At its core, the film is a deeply human story about resilience, identity, and the universal longing for home, reminding audiences that behind every political crisis are individuals fighting for the simple right to live freely and safely.

We hope to reach a broad audience and put a face to the often faceless casualties of global conflicts, reminding viewers that behind every statistic is a human story—full of resilience, tragedy, and unexpected grace. Our work highlights how we are all, to some extent, at the mercy of global politics, and serves as a call not to take democracy for granted. We aim to show the worth and contributions refugees bring—not just through survival, but in exporting powerful ideals and humour that enrich society. Finally, we believe in the transformative power of humour and satire, especially the distinctly irreverent and insightful strain of Australian humour. In dark times, laughter can be both a weapon and a balm—and we believe it can help change the world.

– Encourage audiences to share the film, host screenings, or talk about the human cost of displacement to keep these issues visible and urgent.
– Urge people to share the film’s meaning across social media.
– Direct viewers to donate to or volunteer with organizations that support displaced communities, advocate for refugee rights, or provide aid to migrants.
– Shine a light on the positives contributions refugees and immigrants have made to Australia