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DOCUMENTARIES

Production   /  Richard Attieh

Eternity

ETERNITY is a celebration of us and our national story … through the arts, culture and the power of inclusion.

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Impact areas

ARTS

Crew

  • DIRECTOR Richard Attieh

  • PRODUCER Richard Attieh

Synopsis

DURATION: 60 MINUTES

The story of ETERNITY provides a unique perspective on our national identity.

Through the arts, music, opera, literature, film, graffiti, religion, hospitality and capital works, this word features in key moments and at major turning points in Australia's recent history dating back over 85 years ... and is set to continue well into the future.

In 2000, Sydney announced ETERNITY to the world at the Millennium Fireworks and in the 2000 Olympic Games.

Since then, many public works featuring ETERNITY have been created and the word has been embraced in every state in Australia.

This film begins in 2000 and goes back to 1932 when ETERNITY was first written by Sydney eccentric, Arthur Stace ... in the same year as the opening of the Sydney Harbour Bridge.

It revisits major historical events of the 20th Century that led to ETERNITY being embraced, celebrates how this word continues to be used today, and looks forward to the future of ETERNITY across Australia and around the world.

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0% funded
  • $275,000.00

    FUNDING GOAL
  • $0.00

    FUNDS RAISED
  • November 2020

    PROJECT ENDS
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Issue Summary

A short summary of the issue the documentary is addressing

STORYTELLING and the ARTS is essential when forming personal, social and national identity.

When Sydney was developing and emerging as an international city in the 1900s, ETERNITY mysteriously appeared written in chalk in copperplate font on the streets and captured the attention of the news outlets, the creative minds of storytellers and the imagination of the general public.

Written by Sydney eccentric Arthur Stace, ETERNITY was an artistic expression of a personal life experience. When embraced by the media and various sectors of the arts community, it became a public word and its meaning evolved.

ETERNITY was unwanted graffiti, a recurring news story, a street ‘tag’, something to write and sing about and a mysterious message to unravel.

This artistic elevation of ETERNITY resulted in this word being recognised as part of Sydney’s DNA, being shared with the world at the 2000 Millennium Celebrations and Sydney Olympic Games and being recognised as the word of the millennium.

Impact

What is the impact vision statement of the documentary?

By celebrating the ARTS and STORYTELLING, we want to create an environment where:
• people engage with the ETERNITY story in a brand new way.
• people 30 years and below engage with the ETERNITY story and our recent history.
• people feel empowered to use the arts to express themselves and influence those around them.

Outcomes

What outcomes does the project hope to achieve from making this documentary?

The project goals are to:
• educate the general community about the power of the arts in storytelling.
• celebrate this unique piece of Australia’s history with all age groups.
• celebrate Arthur Stace as a Sydney eccentric who created a phenomenon and whose work continues to influence his city 50 years after his death.
• create engaging historical educational content for teachers and students which builds a sense of national pride.
• empower individuals to celebrate their personal stories through the arts.

Stakeholders

How will partnerships with this project help inform the project development?

Roy Williams and Elizabeth Meyers authors of ‘Mr Eternity: the story of Arthur Stace’ are researchers and historical consultants.

City of Sydney Council have granted permission to use the ETERNITY trademark, Sydney historians for interview, and access to archival footage. The Lord Mayor has agreed to be interviewed.

Also speaking with Council about an ETERNITY DAY – celebrating our history and culture through an annual public arts event in the Sydney CBD, and an ETERNITY walking app.

Sydney Metropolitan Cemeteries are offering access to the space where Arthur Stace was laid to rest.

The Baptist Church, HammondCare, Remo Giuffre (REMO STORE) and Matthew ‘Mistery’ Peet (Australian Hip Hop and Street Art Champion) have agreed to be interviewed and provide access to archives, photos, artworks, music and other content.

Sydney Living Museums have asked us to keep records of original ETERNITY memorabilia for a possible historical installation.

Others are also contributing to the project

Audience Engagement and Social Impact

What actions does this project hope for its viewers after seeing this film?

We would like viewers to:
• engage with us on social media to share their ETERNITY stories and memories.
• share ETERNITY stories and memories with family and friends.
• participate in the ETERNITY DAY and WALKING TOURS across Sydney (when established).
• have a greater sense of pride in their city and country.
• find out more about the influence ETERNITY has had on Sydney and Australia.
• consider how the arts and public works, which are often taken for granted, contribute to our identity and our story.
• learn more about the life of Arthur Stace and periods of Australia’s history.
• feel empowered to express themselves through the arts to communicate their passions and add to the rich tapestry of Sydney’s and Australia’s story.

Measurement and Evaluation

What is the projects indicators for success?

• People across all age groups engaging with the ETERNITY story in a brand new way including:
- Sharing their ETERNITY stories with us and their friends on social media.
- Sharing their ETERNITY stories in person.
- Becoming aware of the Arthur Stace/ETERNITY story.
- Teachers and students engaging with the story in schools.

• People across all age groups being empowered to use the arts to find their voice and express themselves in unique and innovative ways.

• People attending the annual ETERNITY DAY events to showcase their creativity and artworks, and to celebrate the ETERNITY story in Sydney.

• The news media engaging with this film, its contents and the story.

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